“When I look back, I can see the story of my life through the clothes I wear,” Turner told NBC News Promote her book in the US in 2020 This is my life“The early opportunity to sing with Ike was like the stuff of fairy tales for a teenager who dreamed of performing on stage.”
“I think my dress is elegant, like a princess. But that dress is a prison, like my marriage. I want to move, so my dress is shorter and less tight, because freedom is to me It’s important to speak up, whether it’s on stage or in life.”
Liberation first appeared in stage costumes designed by Bob McKee after her divorce from Ike.Turner wore McGee’s yellow and red sequined dress, which looked like flames in a striped skirt next to Cher sonny and cher show in 1977.A version of that dress has been worn wonder woman Lynda Carter, drag actors Ru Paul and Beyonce.
Turner left McGee in the eighties and didn’t return to him until her farewell tour in 2008, marking her 50th anniversary. In days away from sequins, she defined ’80s hard-edged glamor in a denim shirt, which she paired with a fitted black leather suit and stilettos to show off her ever-moving legs.
In 1985, her honey-blonde wig was brushed just right and she wore it with fishnet stockings private dancer The tour became as recognizable as Michael Jackson’s lone gloves and Madonna’s early ra-ra dresses.
Many of the rugged ready-to-wear looks are the work of haute couture designer Azzedine Alaia, who often collaborates with Turner, most notably on a gold beaded mini dress and a silver mesh dress, which are often seen in shows dedicated to the occasion. designer in an exhibition held by the late Tunisian-born man.
Chainmail cemented itself in her visual vocabulary after starring Mad Max: Beyond Thunderdome In 1985, lingerie-inspired mini dresses that transformed into sequin-trimmed mini dresses in the ’90s defied age limits for sexy.
In 2021, an NFT of the Versace minidress Turner wore while touring in the ’90s is up for auction at Miami’s Art Basel.
It was an unlikely pairing, according to her former stylist Wayne Scot Lukas, who also worked with Janet Jackson. “Tina hates Versace! She’s Armani,” he told new york post.
In 2011, Armani and other labels in Milan were eyeing Tina.
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